
MUSIC REVIEW.
Way back in the ’70s I was presented with a box set of Bach Cantatas played on so-called original, or period, instruments. I hated it. The fiddles were scratchy and the players’s lousy intonation was painful to behold for this nerd with perfect pitch. Similarly with the winds: they sounded anemic, wimpy and dull. Worse, the interpretations were overly academic and boring, the shared notion among players and conductor alike: emotions and excitement were romantic practices, thus taboo for authentic performances of baroque music. My reaction at the time was, if this is the way performances of music by Bach and his contemporaries sounded back then, give me modern instruments, crescendi and diminuendi, vibrato, and all the other sinful musical practices of our age.
Over the years however I’ve changed my mind about historically-informed performances, the reasons being better instruments and players, plus more recent research. Now days one can find original-instument recordings of baroque, classical and even early romantic works that not only compete with their modern counterparts, but often outshine them.
The recordings featured here, Vivaldi / Bach: “12 Concertos, Op. 3, “L’Estro armonico / Bach: Keyboards Arrangements,” exemplify superior historically-informed performances and recordings All the negatives I describe above are absent, replaced by exquisite musicianship and fresh, lively interpretations. Moreover, there’s a wonderful concept to this album.
Vivaldi’s L’Estro armonico is a collection of a dozen concerti grossi, of which there are dozens of recordings. They could almost be considered baroque potboilers, but what makes these recordings stand out from the rest, in addition to the fabulous playing of the ensemble, Concerto Italiano and its leader and founder, Rinaldo Allesandrini, is the works are paired with transcriptions made of them by a young J. S. Bach for harpsichord and organ, after their publication in 1711. Bach was deeply impressed by the concertos comprising L’Estro armonico and his later compositions, after becoming aware of them, show a marked influence on him.
Also worth mentioning is the audio on these recordings, which is superb, among the finest I’ve ever heard. A Hi-Res surround-sound system will bring out the best in these beautifully recorded performances, but they should sound terrific on any decent rig.
Highly recommended.










