One of the greatest musical ensembles ever was the Budapest String Quartet, extant for 50 years, from 1917 to 1967. I was a tad too young to have heard them perform in person, but their many recordings give one an idea of their superlative playing.
A wonderful quality of the Budapest was their astonishing ability to sound as one so that the listener hears them not as four musicians playing, but as one alone. Though some ensembles come close, I have yet to hear any other quartet, in person or on recordings, with that almost magical cohesiveness.
Recently, I came across the rules the founding members of the quartet adopted, and which were adhered to, with only one minor change, for the life of the group. Is it possible that the rules, posted below, might have had something to do with the excellence of the quartet? Who’s to say, but that consistent excellence for half a century makes a plausible case that the strictly adhered to rules had something to do with it.
- All disputes, musical or business, were to be resolved by a vote. In case of a tie, no change.
- Players were not allowed to take engagements outside the quartet.
- Players were paid equally, with nothing extra for the leader (first violin).
- No wives or girlfriends were permitted at rehearsals or discussions












