
But 80 of them are far too many. Furtwängler, one of the greatest conductors of the 20th century, like many conductors, had ambitions of being a composer, but his conducting talent took away from him the time needed to put pen to manuscript.
Eventually, though, Furtwängler did have enough time for composing, plenty of it. Unfortunately, that was owing to losing all his conducting engagements, post-war, because of his refusal to leave his beloved Germany for the entire war. His critics said he was too cozy with the Nazi government and aquiescing to their murderous regime. Not so, says BBC music critic Stephen Johnson, in his excellent and detailed booklet notes. There were many instances of Furtwängler saving the lives of Jews and others from the Nazi slaughter, making him an enemy of the regime, which he despised. Nevertheless, he served as a status symbol for the Nazis and was left alone on that account. By staying in his beloved Germany instead of getting out, though, Furtwängler destroyed his career, though it did recover somewhat in the recording studio before his death.
So, how does Furtwängler’s Second Symphony hold up? Not too well. As alluded to above, it is simply too long, though length is not necessarily a drawback, as Mahler, a great admirer of Furtwängler, proves. The problem is what happens between that first and 80th minute. Furtwängler gives us some lovely themes, but too often lets them run on, as if the composer feared to come to a cadence, lest he be unable to imagine any more ideas. Happily for the composer, less so, the listener, he does, but all too plentifully.
It’s a pity, though. There is much good music in this symphony, and if Furtwängler or someone else had managed to edit it down to half its present length, it would be a far more viable composition. In those 80 minutes, there is a fine symphony lurking.
The excellent Neeme Järvi does his level best to hold the work together, but despite his superb conducting, is unable to do so.
In the end, Furtwängler was wise to keep his daytime job.
A pleasant surprise, though, in this recording is the excellent playing of the Estonian National Symphony Orchestra, not well known to this writer, though the orchestra celebrates its 100th anniversary this year. Let up hope there will be more recordings forthcoming from this ensemble and Chief Conductor Järvi, on Chandos, if possible, which provides its usual superb sound.
Furtwängler (1886-1954): Symphony No. 2 in E Minor
Neemi Järvi, Estonian National Symphony Orchestra
Chandos Records Ltd 2025 CHAN20373






