
Sir Ian McKellen to host Shakespeare play with all trans and nonbinary cast
“Twelfth Night is perhaps the funniest and most moving of Shakespeare’s plays,” McKellen said in a social media post for Trans What You Will. “This is achieved through the complexity of gender and sexuality from first to last. I’m really looking forward to the impact of this latest version of the play at The Space. I hope to see you there!”
Sponsors of athletic events for amateurs are finally coming to their senses regarding men pretending to be women and depriving real women of the prizes they should have won.
But please, leave Shakespeare alone. Sadly, however, an actor whom your Tatler has long respected (regardless certain peculiarities) is doing just the opposite, besmirching the master’s Twelfth Night. Taking place in London on 25 July, the clown show will mercifully run for but one performance. The worry is, that when the critics assuredly fall over themselves with praise, it could mark the beginning of a new fad in the arts: trans/non-binary* performances of the classics. Picture, if you will, a trans/non-binary casting of Ibsen’s A Doll’s House.
Happily, casting of that sort should be a a short-lived phenomenon. Fads, by their nature, don’t last long and the limited public for such entertainment will soon tire of it and move on to some other weird form of amusement.
What’s next? Trans/non-binary ice hockey? Or trans/non-binary boxing? Trans/non-binary yacht racing or Trans/non-binary Formula 1 auto racing? The possibilities are endless.
*Keeping up with contemporary nomenclatures can be a real challenge. Does “non-binary” mean “not two,” hence, “tri-sexual?”










